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Deal: a straight white bored

deal (n.2)"plank or board," especially of fir or pine, late 14c., dele,

from Low German

dance pole, wood, paint

8’ x 16’ x 10”

created September 2024

When prompted with the following text:

I have an artwork that is a 12 foot long pine board with a hole drilled in the center where a dance pole or stripper pole goes through. The board is painted half with white paint and half left raw wood. The board is suspended half way up the pole. Please give me a social, psychological, political analysis of this configuration as an art object and give me any associations in culture that it may connect to. The name of the piece is “deal: a straight, white, bored”

ChatGPT responded:

"Deal: a straight, white, bored" immediately invites a complex set of associations that resonate socially, psychologically, and politically, offering layers of meaning rooted in both the materials and their configuration.

Social & Political Analysis:

The juxtaposition of the stripper pole and the raw pine board invites a dialogue around class, gender, labor, and power. The stripper pole, often associated with the sex work industry, immediately draws attention to themes of objectification, sexuality, and societal voyeurism. By placing this through a rigid, "straight" wooden board, the piece could be seen as commenting on how structures of power, particularly patriarchal or puritanical ones, impose rigid frameworks on the expression of sexuality. The painted half of the board—white—can evoke racial, social, and ideological purity, traditionally associated with privilege, control, and societal norms. The raw, unpainted wood may symbolize the natural, unpolished, and unrestrained elements of humanity or marginalized communities, particularly those not conforming to these strict social expectations.

The title, "Deal: a straight, white, bored," evokes an overt critique of white, heteronormative privilege. "Deal" can suggest a transaction or compromise, hinting at how these power structures may bargain with bodies, identities, or agency. The word "bored" evokes feelings of detachment, apathy, or indifference, which might reflect on the numbing effect of systemic privilege, where the "straight, white" figures of power can afford to be disinterested or disengaged from the struggles faced by marginalized individuals, especially women or sex workers.

Psychological Analysis:

Psychologically, the tension in the work lies in its suspension—literally and figuratively. The board is caught between two states, echoing a liminal space where identity, gender, and societal roles are in constant negotiation. The hole in the board is penetrated by the pole, evoking psychoanalytic ideas of the phallic symbol and the power dynamics between dominance and submission, structure and freedom. There’s a sense of being trapped in the middle—neither fully raw, natural, or free (raw wood) nor fully conforming to the clean, white surface. The board’s suspended position might represent the precarious nature of navigating these social and sexual landscapes, where individuals are held between societal expectations and personal autonomy.

Cultural Associations:

  1. Gender & Sexuality: The stripper pole brings immediate associations to the body, sexual labor, and performance. It also intersects with themes of empowerment vs. exploitation—sex work can be viewed through lenses of agency and oppression. The board suggests a rigid social structure that bisects or "judges" this relationship.

  2. Race & Whiteness: The "white" part of the board is overtly symbolic of whiteness and its associated privileges. In many ways, it can critique how whiteness has historically acted as a ‘blank slate’ in culture, seen as the neutral, default, or superior state, while raw wood, left untreated, may reference those excluded from this standard.

  3. Class & Labor: The pine board itself, a basic material, evokes working-class labor and unadorned practicality, while the stripper pole signifies a different kind of labor, one often dismissed or stigmatized despite its inherent demands of physical and emotional exertion. The tension between these forms of work may comment on how labor in certain spaces (i.e., sex work) is undervalued or misunderstood.

  4. Minimalism and Conceptual Art: The formal simplicity of the piece—a long, straight line, a hole, minimal color choice—may evoke associations with minimalism. However, the context breaks away from minimalism's historical obsession with form and neutrality, drawing attention instead to the real-world consequences of these forms.

In conclusion, the artwork confronts and critiques the intersections of race, gender, labor, and societal structures. It forces a reflection on the ways we uphold or challenge these frameworks, and how they bore or constrain those navigating their boundaries.